Winterland

An abstract, experimental film I shot on Super8 (Ektachrome 100D) on a spectacularly snowy December 25th 2010. A mixture of the ridiculously bright conditions, sensitive film stock and a broken camera battery led to lots of noise and overexposure. Technically

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Winterland

An abstract, experimental film I shot on Super8 (Ektachrome 100D) on a spectacularly snowy December 25th 2010. A mixture of the ridiculously bright conditions, sensitive film stock and a broken camera battery led to lots of noise and overexposure. Technically

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Live at the Marquee

In 2005-2006 I worked as a graphic designer for Aiken promotions. Although mostly manipulating official record company artwork and ad material, occasionally I would be tasked with creating original artwork or brandingĀ for an event as I did with the Live

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Live at the Marquee

In 2005-2006 I worked as a graphic designer for Aiken promotions. Although mostly manipulating official record company artwork and ad material, occasionally I would be tasked with creating original artwork or brandingĀ for an event as I did with the Live

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Body of Work

“Work steals our time, our pleasure, our lives. It strips up of our energy, our dignity, our passions. Man is born free but everywhere he is in factories, offices, bars, shops, toiling for someone else’s profit. Every Monday morning we

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Body of Work

“Work steals our time, our pleasure, our lives. It strips up of our energy, our dignity, our passions. Man is born free but everywhere he is in factories, offices, bars, shops, toiling for someone else’s profit. Every Monday morning we

/ No comments